Mast Quay in Woolwich has two 14-storey buildings erected in 2004 and after much delay a third block of flats at the downstream end is under construction.
The Thames Path diversion from Woolwich Ferry to the side of Jigger Mast House will probably remain in place for some time. Weeds are growing on the fenced-off path.
On crossing the ferry approach one must follow Woolwich Church Street from the roundabout to go behind Mast Quay.
Take the very first turning on the right which is a double bend access to the two existing blocks. Head to the upstream side of Jigger Mast House to walk along the side of the drawdock. At the river go left.
Members of Parliament looking across the river from the refreshment tent on the Commons terrace may not enjoy the view as much as in the past.
There is now a long red line running across the bottom of St Thomas’ Hospital. It is a reminder of the pandemic dead.
During the Easter recess, the Covid-19 Bereaved Families for Justice group began painting tiny red hearts on the hospital wall along the Thames Path.
Each heart represents a Covid death and there are so many, 100,000 and rising, that the long red blur has been created.
It runs for five hundred and thirty yards from Westminster Bridge to Lambeth Palace. Will it have to follow the wall round the corner into Lambeth Palace Road?
The hospital boundary wall dates from the 1870s and the legal status of the instant memorial is uncertain.
However, it has been visited by the Leader of the Opposition Kier Starmer, Lambeth Council Leader Jack Hopkins and Lambeth MP Florence Eshalomi.
Mayor of Lambeth Philip Normal, who visited wearing his chain of office, said: ‘It was incredibly moving to observe the completion of the wall, and then walk its full length.’
The red paint looks likely to stay allowing the hearts to fade into ghosts reminding us of our loss during 2020-1.
Riverside Enderby House on the Greenwich Peninsula opens today Tuesday 13 April as a Young’s pub.
The Enderby family, whalers who gave their name to Enderby Land in the Antartic, first occupied the Enderby’s Wharf site in 1776.
Enderby House was built on the wharf about 1835 with an upstairs angled bay-window giving a view of approaching vessels from the sea.
In 1884 General Gordon, a relative, spent his last night in England at the house.
The Enderby Hemp and Rope Works was succeeded in 1857 by cable manufacture which later included the first and second transatlantic telegraph cables.
Cable winding machinery can still be seen on the pier outside the house.
Submarine cables continued to be made on the wharf by a succession of companies until 1975. The last owners were Northern Telecom and Alcatel.
Only the new pub terrace at the side will be open at first. The house is expected to open its doors next month on Monday 17 May.
Local Meantime ales are available with a menu which includes Dorset crab and lamb. This could be a nod to nearby Granite Wharf which once belonged to John Mowlem of Swanage in Dorset.
Enderby House is on Enderby’s Wharf, SE10 0TH, 3 miles from the Thames Barrier and half a mile before Greenwich.
With lockdown keeping us from the River Thames it’s probably the best time to catch up on books about the river to plan ahead.
One of the loveliest new ones is Chloe Dewe Mathews’ Thames Log where her photographs speak for themselves. The only writing is the foreword by Marina Warner.
The pictures in this unusual fold-out book, larger than a Christmas annual, depict the river from the infant stream to the estuary.
Chloe catches a coracle turning at the Round House in Inglesham where navigation begins and a palm tree mobbed by seagulls at the North Sea end.
A strong theme is how the river is a draw for people of many faiths.
Well-known is the annual blessing of the Thames from London Bridge every January on Baptism Sunday which is featured in a number of arresting shots.
One shows the wooden cross to be cast upon the water being carried under a dark London Bridge passage.
Upstream St Ebbe’s Church holds a mass baptism from the bank of Port Meadow.
At Richmond we are reminded that the Thames is considered a sacred river by Hindus in Britain. They also appear at Southend.
But at Southend there is also both Islamic prayer and Pentecostal baptism.
Other rituals recorded include those which are more personal and even private such the scattering of ashes.
The book helps to remind us that the Thames Path is not just in London (which may surprise some people) and has a mainly rural feel.
To record these special places and rare moments the photographer has needed careful planning over several years.
This is an expensive book but unusual in design and feel.
The typeface is a digital revival of the Doves Press type retrieved from the the riverbed at Hammersmith.
The Tablet reports that best-selling novelist Ken Follett is donating all earnings from his book Notre-Dame: A Short History of the Meaning of Cathedrals to a cathedral in Brittany.
Sales of the book will help to save St Samson cathedral in Dol where St Samson, who died in 565, is buried.
One of the few other churches dedicated to St Samson is the parish church at Cricklade which is well-known to walkers on the Thames Path.
Glimpses of its distant tall tower are a welcome sight when Castle Eaton is behind you and refreshment at Cricklade awaits.
The Cricklade tower is Tudor and paid for, according to William Morris who noted an allusion to playing cards inside, by a successful gamble.
But more mysterious is the unusual Sampson dedication (with a p here) from much earlier times.
Samson was Welsh. There is church dedicated to him in Cardiff.
Also some in the west country including Fowey at the end of the north-south pilgrim track across Cornwall used by Welsh travellers to Brittany avoiding shipwreck at Land’s End.
Guernsey, a staging post for Brittany, has a St Sampson church.
Cricklade church has evidence of a very late 9th-century building.
Eighty-one year old Michael Parkinson of Nottingham was one of the first to suffer from Covid in March last year.
Having recovered he published his book Thames Path Walk which he had been working on since 2014.
It began with a desire to see water at the source of the Thames in Gloucestershire.
Having seen that rare sight Michael Parkinson began walking upstream from London in small sections.
His book has 190 photographs and brief mentions of odd encounters, one with a bull, but the best aspect is stated on the cover: ‘All stages linked to YouTube videos’.
These films are a welcome reminder of the route whilst we plan for when lockdown and other restrictions are fully lifted.
Those who heard Clare Balding’s recent Ramblings walk from Pangbourne to Goring will find Michael’s film of that section most rewarding.
Included is the toll bridge and a visit inside Whitchurch church. The Thames Path runs through the churchyard.
Michael Parkinson’s project took has taken so long that the controversial fencing on this section by Coombe Park does not feature in the film.
Also, there is better news upstream: no need now to follow the main road after Inglesham as the path by the river is open.
The Thames Path is always changing as does the countryside everywhere but his films remain a window and reference.
The 900th anniversary of Reading Abbey’s foundation by Henry I is next June.
Will we be able to walk into Reading from the Thames Path in June?
Or up the Kennet from Horseshoe Bridge?
Marooned at home during these winter months gives us an opportunity to discover more about the heritage along the river and also plan a visit in better times.
June will be the first of many Abbey anniversaries. The strategically placed monastery, between the Thames and the River Kennet, had its charter proclaimed in 1125.
A year later the Hand of St James, which should have been with the rest of St James the Great’s body in the pilgrim city of Santiago, was given to Reading Abbey.
Archbishop Thomas Becket consecrated the Abbey Church in 1164.
Later it was the seat of Parliament.
It is still, many believe, where Henry I is buried -probably behind today’s church in a corner of the site.
The background to how Reading got an abbey can be found in a new book Henry I and his Abbey by Lindsay Mullaney who probably knows more about the abbey site than anyone else.
Anniversaries in 2021 include the tercentenary of Grinling Gibbons’ death.
Sculptor and wood carver Gibbons is famous for his limewood foliage carving with cascades of lifelike flowers, fruit and leaves.
His exceptionally delicate work is found in Hampton Court, Windsor Castle and Oxford as well as many London churches.
He first came to notice when living in an isolated thatched cottage by the River Thames at Deptford where he was being employed to carve ships’ figureheads.
One winter night, probably in January 1671, John Evelyn who lived at nearby Sayes Court looked through the cottage window.
“I perceived him carving that large cartoon or crucifix of Tintoretto , a copy of which I had brought from Venice,” records Evelyn in his famous diary.
Although Gibbons had chosen the cottage so as to be able to work without interruption he welcomed Evelyn who recommended him to Charles II.
Gibbons’ work in Deptford’s St Nicholas Church was destroyed during the Second World War but the present carved reredos is in style of Gibbons.
The site of Gibbons’ cottage is now part of Convoys Wharf. The garden of Sayes Court survives as Sayes Court Park on the Thames Path.